There are few contemporary writers of the first rank whose imagination runs to such appalling and macabre inventions as Waugh's does and there is none who carries audacity to such lengths in using the atrocious as the material of farce. That's what most of the gentlemen does, sir, that gets sent down for indecent behaviour." On the planet where Waugh's comic novels have their being, Oxford and Mayfair are as barbarous in their way as darkest Azania. An Oxford porter says to an undergraduate who has just been expelled: "I expect you'll be becoming a school master, sir. A primitive ruler, eager to be modern, is induced by a wily contractor to purchase boots for his barefoot army: the savages happily heat up their cookpots and devour the boots. "Pure Evelyn Waugh." The expression evokes a riotously anarchic cosmos, in which only the outrageous can happen, and - when it does happen is outrageously diverting in which people reason and behave with awesome inconsequence and lunatic logic. The adjective "Waughsian" is too much of a tongue twister to have passed into our vocabulary, but a substitute phrase has - "It's pure Evelyn Waugh." He is, par excellence, an example of the artist who has created a world peculiarly his own. WHEN blurb writers are caroling the praises of some newly emerged maestro of sophisticated farce, they can seldom resist the temptation of comparing him to "the early Evelyn Waugh." Despite the fact that Brideshead Revisited - which introduces the "later" or "serious" Evelyn Waugh - has sold many more copies in the United States than all of Waugh's other books put together, his name, at least among the literary - is still most apt to evoke a singular brand of comic genius.
Finally, it's despatched to London, where Philip Gooden's Nick Revill will determine its ultimate fate.Evelyn Waugh: The Best and The Worst - 10.54 Thirty years later, several suspicious deaths occur in Cambridge - and, once again, the tainted relic has a crucial part to play. In 1323, in Exeter, Michael Jecks' Sir Baldwin has reason to suspect its involvement in at least five violent deaths. In Oxford in 1269, the discovery of a decapitated monk leads Ian Morson's academic sleuth William Falconer to uncover a link to the relic. Investigating the death, Bernard Knight's protagonist, Crowner John learns of its dark history. Several decades later, the Cross turns up in the possession of a dealer, robbed and murdered en route to Glastonbury. The relic is said to be cursed: anyone who touches it will meet an untimely and gruesome end. Amidst the chaos, an English knight is entrusted with a valuable religious relic: a fragment of the True Cross, allegedly stained with the blood of Christ.
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